We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Want One?

by The Broken Hearts

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $8 USD  or more

     

1.
YOU WON'T FIND ME (Music by Jamie Beckett/Lyrics by Jamie Beckett and Michael Mazzarella) It’s another sleepless night You kept me waiting too long this time Plenty of restless nights You will be spending alone Now you went too far I won’t be swallowing my pride anymore Yeah, you took me for a ride And before you hurt me anymore I’ll be walking And you won’t find me Well, you’d better stay out of sight Too many people who may be right Are talking about you now Saying things you wouldn’t want heard around No I won’t be swallowing my pride anymore Yeah, you took me for a ride And before you hurt me anymore I’ll be walking And you won’t find me No you won’t find me Well, I can see a day When you turn your back on wasted time, yeah So much thrown away And you’ll wish that you could still be mine Whoa, I won’t be swallowing my pride anymore Yeah, you took me for a ride And before you hurt me anymore I’ll be walking And you won’t find me No you won’t find me And you won’t find me Now you won’t find me
2.
BETTER START NOW (Thomas J. Bittel) You say you wanna meet her, and try something new You better start now, better start now You say you wanna see her, I say if you do You better start now, better start now Cuz' I've been looking too and I think she's just right for me So if you're gonna make your move, then You better start now, you better start now This girl's got something special, too special for you You better start now, better start now Yeah, I know she's something special, cuz' I want her, too You better start now, better start now Oh, I'd be with her right now, but my heart's not free But when it is, you better watch out Cuz' she'll belong to me You say you wanna meet her, I want you to know You better start now, better start now You say you wanna see her, don't take it too slow You better start now, better start now
3.
PLAY THAT SONG AGAIN (Jamie Beckett) I’ve been trying all night to get it, on my dial I can’t get no rest I’m trying to find the song I heard last night With my baby it’s the best I’ve heard that song a thousand times Could you play it again for me Right now I want to hear that song that makes me jump right up And shout out loud Hey Mister would you play that song again Hey Mister would you play that song again When I hear it on the radio, it makes me feel so good Hey Mister would you play that song again I try so hard I do my best to get Through to you Long distance operator please get me someone At the station I’ve got to hear that song I can’t be hanging on the line I’ve got to go out soon So please I’m running out of time CHORUS Oh me, oh my, what’s the matter with me Why don’t I think Oh, operator break that line This is an emergency I’ve got to hear my dedication On the airwaves soon If I don’t, only heaven knows What this poor boy might do CHORUS
4.
WHILE YOU WERE HAVING FUN (Michael Mazzarella) Talk to me, you never ever even talk to me Secrecy has branded me beyond recovery Lie to me, you're very, very quick to lie to me Honesty was never present in our history In a heartbeat you would lose me Kiss and run just to confuse me And, you know it's working for you While you were having fun, my heart was on the run And I don't know where I stand While you were having fun, my heart was on the run And I don't know what to do Fallacy, a love affair that makes no sense to me You and me, soap-opera simpletons for all to see You're a lover and a fighter Both worlds often collide with the odd man out which happens to be me CHORUS Mock at me, your people revel in our comedy Socially, you think you're just one step ahead of me Because I am not a man who's been around the world and back You won't sail in our sinking ship CHORUS While you were having fun You didn't want me baby While you were having fun I hadn't a clue baby While you were having fun And you don't mean maybe
5.
WHEN I SEE YOU LOOKING MY WAY (Michael Mazzarella) You are doing nothing for my mental state of mind When I see you looking my way, catch you looking my way I get so excited and I'd love to have you near But reality takes over, reality takes over 'Cause I'm going out with her And she thinks I'm home alone Instead I'm at the pub She would break my every bone So I'll take a chance and hope she never finds out where I am And I'd really like to hold you, yes I'd like to hold you Maybe we can get together and make everything worthwhile And I'd like to take your number, love to take your number But I'm going out with her And she thinks I'm home alone Instead I'm at the pub She would break my every bone
6.
JUST LOVE YA’ (Thomas J. Bittel) What can I say when you ask me how I feel? What is only imagined and what is real? Simple, I say, look me in the eyes and you'll see I just love ya', and that's the way I want it to be What are you thinking, that you won't let out? Talk to me, baby, I really care what it's about Good news or bad, I want you to tell it to me I just love ya', whether you're mine or you're free My love for you is so uncomplicated But it runs so deep that I can't hide In-depth analyses are overrated Sometimes you think too much Let's not wander too far off the track I'd really hate to think that we can't get back Complicating matters doesn't agree I just love ya', and that's the way I want it to be
7.
TUESDAY EVENING GIRL (Michael Mazzarella) She keeps me waiting Me, I keep pacing It's so frustrating, yeah So dinner's over She never phoned me Wait, it's not the proper day I look - can't find her number Call the operator She says "No such listing" oh Check The Morning Times The ad, page 29 It read "Call Tuesday anytime" She's a Tuesday evening girl And she's from a different world She's a Tuesday evening girl Waste the night away It's been a slow Monday I wish there was another way Can't wait until tomorrow Pick up the telephone Don't care what the papers say CHORUS If she answers what to say? Because I know it's not Tuesday Will she tell me to go away? Ring, I hear it ringing Pound, my heart starts beating Voice, just a recording, no I try to pay attention But, a bad connection Although, I hear the words she said I'm a Tuesday evening girl And I'm from a different world I'm a Tuesday evening girl She is a Tuesday evening girl
8.
DON'T GO (Jamie Beckett) Tell me what have you done since I went away You said you’d go, but you wanted to stay Who was the man with the rough voice Who answered your telephone When I called you up and you weren’t alone You said you’d wait You didn’t wait And I believed in you for so long It’s the same Every day Now you haunt my memories and my thoughts You were the woman for me More than anyone I’ve ever known While I was holding you close You were letting me go It’s happened before It may happen again No you never can tell It could happen to you And it probably will You said you’d wait You didn’t wait And I believed in you for so long It’s the same Every day Now you haunt my memories and my thoughts Women all over the world you listen You don’t know what you might be missing Don’t go Women all over the world you listen You don’t know what you might be missing Don’t go Women all over the world you listen You don’t know what you might be missing
9.
I'M THE ONE WHO LOVES YOU (Thomas J. Bittel) Why do you say all those things that you say? Why do you pick me up and push me away? When I'm the one who loves you I'm the one who loves you Why do you hang around with all of those boys? I'm getting sick and tired of all of this noise When I'm the one who loves you I'm the one who loves you If you'd take a look I know you'd see, that you still love me I call your number on the telephone But every time I do, you're never alone But I'm the one who loves you I'm the one who loves you I see your car coming down the street With someone different in the driver's seat But I'm the one who loves you I'm the one who loves you If you'd take a look I know you'd see, that you still love me You treat me bad, yeah you treat me unkind Some day you're gonna drive me out of my mind I look at you and I just gotta say What makes me want to stay around this way? Don't be a fool, with your foolin' around Cuz' what you want, you know you've already found Cuz' I'm the one who loves you I'm the one who loves you If you'd take a look I know you'd see, that you still love me

about

*FOR SONG DETAILS, click on the title of each track*

TAKEN DIRECTLY FROM THE ORIGINAL MASTER TAPE



THE BROKEN HEARTS
Michael Mazzarella - Rhythm guitar, lead/background vocals

"I think at that time, I just wanted to be Rockpile."
******************************************************************************
Jamie Beckett - Bass guitar, lead/background vocals

"I wanted to have the opportunity to play with talented, creative people who would push me to do my best. It’s easy to punk out and live an average life, with average results. I always had the attitude that I would drive myself to do things that threatened me. To some degree, I think we satisfied those goals within the first few months of the band."
******************************************************************************
Tom Bittel - Lead/rhythm guitars, lead/background vocals

"I really wanted to find a situation where there was original music being made, and where I could develop my songwriting in a group setting."
******************************************************************************
Patrick Yourell - Drums, background vocals

"I just wanted to play, to tour and put out good quality music."
******************************************************************************




Perhaps the first thing that calls attention to itself on WANT ONE? is how non-pretentious and fun these songs are. Pieces like YOU WON'T FIND ME and PLAY THAT SONG AGAIN will remind the listener of the best of '60s pop, bouncing happily along for two or three minutes to the jangle of electric guitars, a steady backbeat and an ever-present bass.
- All Music Guide -


******************************************************************************

Everything is happening in the mid-80s, seen through the paisley-patterned slide of four Hartford, CT based moptops. When I first heard about The Broken Hearts, I thought of them only as Michael Mazzarella’s pre-Rooks outfit, where he learned his craft. I can’t tell you how wrong I was. WANT ONE? is up there with The Rooks’ best efforts! Besides Michael, who delivers the usual FABulous mid-60s Lennonisms like WHILE YOU WERE HAVING FUN or WHEN I SEE YOU LOOKING MY WAY, guitarist/vocalist Tom Bittel and bassist/vocalist Jamie Beckett also contribute such jangly pop jewels like BETTER START NOW and JUST LOVE YA' (Bittel) or YOU WON'T FIND ME (Beckett/Mazzarella) and another piece of blue-eyed soul called PLAY THAT SONG AGAIN (Beckett).

Want One?!?! I want every single one of them over and over again!!!
- Pop Diggers -


******************************************************************************

Originally released in 1985 on the sparsely distributed Scarlette label, this fine album of power-pop has been something of a well-kept secret (and vinyl rarity) for decades. The Broken Hearts play pop that matches the work of L.A. bands like 20/20, The Plimsouls and The Beat, East Coast outfits like The Neighborhoods and The Smithereens, and, of course, with ancestral connections to The Flamin' Groovies and Mersey-era bands like The Beatles.

And much like The Fab Four, The Broken Hearts sported three singer/songwriters, each taking turns at lead and backing vocals. Their lyrics fall into the earnest can't-quite-find-love camp traditional to power-pop, backed by harmonies that bring to mind The Hollies, The Searchers and other British Invasion harmony groups. The twin guitars spin insanely catchy riffs, and the drumming has a terrifically punchy DIY sound.

This album is a proverbial tackle box full of hooks. The opener's chiming guitars, urgent drumbeats and pop-soul vocals are the epitome of power-pop perfection. BETTER START NOW and WHILE YOU WERE HAVING FUN bring to mind The Nerves, and the harmonies and melody of PLAY THAT SONG AGAIN provide an appropriately nostalgic underline to the song's wistful lyric. WHEN I SEE YOU LOOKING MY WAY could be a long-lost Gary Lewis & The Playboys song, if Gary played uptempo and put a bit more sock into his drumming. And the twangy TUESDAY EVENING GIRL brings to mind the best Beatle-esque qualities of The Knack.
- Hyperbolium -


******************************************************************************

The Broken Hearts were one of those bands who took up the mantle of Merseybeat during the mid-80s, producing wonderful artifacts such as the reissued WANT ONE?. The Broken Hearts offer an interpretation of the original sound augmented with an American garage rock sensibility.

So, why buy this CD? Because it represents musicians practicing their craft at a time when doing something so unconventionally unconventional represented the epitome of punk. Besides, the melodies are good, the playing is tight and you can dance to it. Drop a dime in the record machine and let the Broken Hearts provide the soundtrack.
- Ken King/Junkmedia -

******************************************************************************

credits

released August 18, 1985

Recorded at The 19 Recording Studio, South Glastonbury, CT
December 1984 - January 1985

Produced by Jonathan Freed with The Broken Hearts

Front and back cover photography - David Ashcraft

Graphics Design - Tom Bittel

Greg Field - Piano on PLAY THAT SONG AGAIN

license

all rights reserved

tags

about

Michael Mazzarella New York, New York

Songwriter.

Solo artist. Formerly of The Rooks, The Broken Hearts, & Sonic Blue Sound Revue.

Albums here on Bandcamp & 5-CD Songwriter set on Kool Kat Musik.

contact / help

Contact Michael Mazzarella

Streaming and
Download help

Report this album or account

If you like Want One?, you may also like: